The other title, I Lost My Body, won the best film award at the Independent International Critics’ Week section of the festival and also took the Nespresso Grand Prize. The animated flick from Jérémy Clapin is an unusual one — it follows a cut-off hand as it flees a lab to get back to the young man that it belongs to, and the woman that changed their lives.

As with earlier acquisitions, Netflix’s latest moves are fairly transparent. This helps it add prestige to its movie catalog and could help it chase further critical glory. It’s also a reminder to the Cannes organizers that excluding streaming services like Netflix won’t necessarily prevent those upstarts from competing with conventional theatrical releases — they’ll just find another way around.