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A closer look at Vivo’s all-glass, port-free concept 5G phone

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To jog your memory, APEX is Vivo’s line of concept phones, with the edition that was announced earlier this year being its second model. The pitch? It was some crazy all-glass “Super Unibody” sans buttons nor ports, and boy did it look slick in the press shots. It wasn’t until yesterday — weeks after MWC wrapped — when I finally got to hold a unit in my hands. Just as I was starting to appreciate the premium feel of this rare device, though, my unit slipped off my hand and destroyed another APEX in a display case, an accident for which I apologized profusely.

To be fair, most glass phones would be unlikely to survive the impact of another phone landing on a corner. And yet, the fallen APEX remained intact, which suggests the “G2 curved-surface waterdrop glass” does serve its purpose. Specifically, the glass thickens around the phone’s bezel, hence the waterdrop shape in a cross-section. Still, such protection comes at a cost: it requires a complex process combining hot-bending techniques and CNC glass shaping methods.

Vivo APEX 2019

Seemingly unfazed by the damaged prototype, product manager Ding Guanli told Engadget that there’s a good chance that Vivo will mass-produce an all-glass device like this. Given the unfortunate incident, Ding assured me that the mass-produced version will somehow be more resilient to external impact. Fragility aside, the APEX still serves its purpose of showcasing Vivo’s main areas of interest when it comes to future mobile tech. Or as the exec put it, “we want to do something that hasn’t been done before.”

This Android Pie device has a Qualcomm Snapdragon 855 chipset, 5G radio, 12GB of RAM, 512GB of storage space and 12MP/13MP dual rear cameras, but none of that matters. It’s more about the list of “firsts” here, including the lack of ports and physical buttons; then in-display dual-fingerprint reader covering the entire FullView screen; the “MagPort” connector on the back to replace the conventional USB port; and “Body SoundCasting Technology” taking the place of conventional speakers.

Vivo APEX 2019

Save for the 5G connectivity and an eSIM feature which I couldn’t test, those features worked surprisingly well during my hour-long demo. What impressed me most was the new full-display fingerprint scanner, which can read two fingerprints simultaneously anywhere on the 6.39-inch FHD+ AMOLED screen. Better yet, the registration process only required two taps for each fingerprint, which is a huge improvement over the 10-plus taps required on existing phones with similar tech.

Another benefit of having an all-screen in-display fingerprint reader is that you’ll be able to unlock and toggle an app in just one tap. Imagine the screen waking up automatically as you lift the phone, and it shows your favorite apps or shortcuts on the unlock screen, then it’s just a matter of tapping a registered finger onto your desired icon to launch the app right away.

As awesome as this beefed-up in-display fingerprint reader sounds, Ding admitted that this essentially requires an array of optical sensors covering the entire screen, which translates to a notable bump in production cost. As such, there’s no word on when we’ll see this technology baked into a mass-produced smartphone.

I would have also liked to test this new fingerprint reader under varied lighting conditions, mainly because this became a pain point on my OnePlus 6T and Huawei Mate 20 Pro. That said, I’ve been mainly using the NEX Dual Display Edition over the past few days, and its fifth-gen in-display fingerprint reader has so far been a godsend. As such, Vivo likely won’t disappoint when it eventually brings the full-display version to the masses.

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LG’s SnowWhite is like a Keurig for ice cream

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SXSW 2019 isn’t just about films, politicians, designers and social media founders. There are also gadgets here to check out. Enter LG’s SnowWhite, a concept machine designed to let you easily make ice cream at home. The SnowWhite is basically like a Keurig, featuring a pod-based system that allows you to choose the base and flavor for a variety of frozen desserts. That means it isn’t just limited to ice cream: You might also be able to make gelato, granita, sorbet, yogurt and more. I say “might” because LG is adamant that the SnowWhite is only a prototype right now — this is more about showing off what the company thinks it can create for your home.

That said, LG did just introduce its automated HomeBrew machine at CES 2019, so the SnowWhite could eventually become a reality. If it does, LG says you’ll be able to make ice cream, gelato or any of the other desserts listed above in two to five minutes. In addition to that, the system can clean itself and may offer both a touchscreen and physical dial for controlling its settings. Unfortunately, the SnowWhite at SXSW wasn’t a working model, which is disappointing because it would’ve been great to have a scoop in this Texas heat. But, considering the popularity of Keurigs, the SnowWhite isn’t a bad idea.

Now I just hope LG adds some sort of smartphone integration in the future, because that would make my life even easier. I could just pull out my phone, use an app to tell the SnowWhite what to make me and in a few minutes, boom, I’d have ice cream waiting for me in the kitchen. Ultra lazy status achieved.

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Why humans must band together to fight the tyranny of tech

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It might seem like there's no winning against Facebook and Google, tech companies whose reach and influence are now practically inescapable. Facebook's inability to police its own platform led to widespread misinformation ahead of the 2016 election….

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Onewheel Pint is a more affordable, easier to ride electric board

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Most notably, a Simplestop dismount feature streamlines the riding experience so that you won’t fly off while you’re still learning the ropes. It’s smaller (27 inches long) and lighter than past models, helping both its agility and portability. Future Motion drives that last point home by including a fold-out magnetic handle on the side — you’re clearly meant to carry this around for those moments you need

The catch? Not surprisingly, the Pint isn’t a long-range cruiser. You’re looking at 6 to 8 miles of range and a 16MPH top speed. The company pitches this as a board for coffee shop trips and the last leg of a commute, rather than something you’d ride all the way to work and back. While that seems appropriate, it does put the Pint at a disadvantage to the Boosted Mini X, which costs slightly more but roughly doubles the range.

You won’t have to wait too long to get the new Onewheel, at least. Future Motion has started pre-orders ahead of a May release, and those who buy in the first 48 hours (no later than March 13th) can snag bonus fenders, custom etched rails and other perks at no extra cost. The Pint still isn’t a trivial purchase by any stretch. It might, however, be the model that helps the Onewheel line expand beyond a niche audience.

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Get ready for targeted ads on your smart TV

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The companies are calling themselves a consortium, and they’ve dubbed this “Project OAR,” or Open Addressable Ready. Once developed, the new, open standard will make it possible for all connected TV companies to sell targeted ads in scheduled and on-demand programs. While this will theoretically make ads more successful and therefore more valuable, it also means viewers’ data will be shared with third parties. That raises the usual data privacy concerns.

You may also remember Vizio as the company that got itself in hot water for tracking its customers’ viewing histories and selling that data to advertisers — all without its TV owners’ knowledge or permission. The company settled those charges for $2.2 million with the Federal Trade Commission and New Jersey Attorney General in 2017. We can only hope that, after learning that lesson the hard way, Vizio will bake added consent and privacy safeguards into this new standard.

According to Adweek, the consortium plans to have a prototype as early as this spring and a working product that can be used by any TV maker by later this year or early next. In the meantime, we’re left wondering if targeted television ads will be able to avoid the pitfalls we’ve seen on social media.

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GM is doubling the staff for its self-driving car business

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GM hasn’t specified exactly how all the hiring will break down, but the company reportedly plans to use the majority of those new job openings to attract engineers. The hiring spree may be in response to the company’s recent struggles. As of last year, reports indicated Cruise was behind schedule, missing mileage targets and milestones. The company’s tech has also had some nagging issues, including an inability to reliably recognize pedestrians and a habit of stopping for bicyclists who aren’t actually there. Overhauling the engineering team appears to be an attempt to get Cruise back on track.

Despite troubles getting up to speed, GM has some lofty ambitions for Cruise and wants to get a self-driving taxi service up and running before the end of the year. The company has already partnered up with Lyft to offer rides from its autonomous fleet and just recently Cruise announced plans with DoorDash to make deliveries with self-driving cars.

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Microsoft's AI app for the blind helps you explore photos with touch

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Microsoft's computer vision app for the blind and poor-sighted, Seeing AI, just became more useful for those moments when you're less interested in navigating the world than learning about what's on your phone. The company has updated the iOS app wi…

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Microsoft’s phone-screen mirroring beta hits Windows 10 this week

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There are a few stipulations. You’ll need a Windows 10 PC running Windows build 1803 or later and an Android phone running Android version 7.0 or newer. Microsoft specifically says to make sure you’ve updated to the latest Insider build, and your PC will need to support Bluetooth’s low energy peripheral mode. Right now, if you have a Samsung Galaxy S8, S8+, S9, S9+ and a PC that meets the specs, the “phone screen” feature should work. Out of Microsoft’s own Surface PCs, the only one that’s compatible right now is the Surface Go. Microsoft promises it will update the list of compatible devices as it grows.

As we reported when the feature was demoed at the Microsoft Surface launch in October, this is an alternative to running mobile apps on a PC. One of Windows shortcomings as desktop OS has been its lack of touch-friendly apps. If Microsoft can get the “phone screen” feature right, it might make up for this shortcoming. Of course, Microsoft’s competitors are working on similar initiatives. Chrome OS has supported Android apps for a few years now, and Apple is making it easier for developers to bring their iOS apps to the Mac.

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Magic Leap goes to the theater

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“The Seven Ages of Man” first appeared at Sundance Film Festival last year. The three-minute experience shows a volumetrically captured actor reciting the famous speech from “As You Like It.” As he describes the human passage through stages of life, a digital tree in the background blooms then slowly wastes away.

In another demo, “The Grinning Man,” a theater stage about two meters wide appeared in front of the venue’s bar, neon-glow in the background. A five-minute song from the West End musical called “Laughter is the Best Medicine” was performed by nine singing, dancing tiny actors. Andy Serkis — the motion capture legend of Gollum fame — directed the demo through his production company The Imaginarium Studios.

Wearing Magic Leap One, audience members stuck their faces right up to the video game-like characters, and maneuvered behind the virtual set for different angles, arms crossed. A man in Allbirds sneakers and a red chili pepper print shirt tried to grab at the stage.

Magic Leap touted the idea that these experiences can immerse the audience better than a 2D screen, or allow the flexibility of watching from different angles. But the narrow field of view and small figures on a stage that’s meant to be viewed from the front anyway hardly make it a TV replacement.

Instead, these demos were more compelling as indicators of Magic Leap’s intention to merge with traditional art forms.

“All we’re doing is going ahead and creating more choice.”

After years of hype and stealth, Magic Leap released a $2,295 headset last August. It has been creating a plethora of experiences since — involving Sigur Ros, Meow Wolf and Star Wars to name a few — in an effort to find the “killer app” that’ll make it a de rigeur platform. In these two experiments, they’ve taken cues from the world of theater, a form which has a few millennia on mixed reality.

“These are just the very first steps,” said Andy Lanning, executive creative producer at Magic Leap, who led both projects. “Our goal was: Can we create that sense of a performance?”

Lanning has ideas for what’s next.

He’s interested in real-time tabletop theater, a West End production in your living room as it takes place on stage — similar to National Theatre Live, which already exists in cinemas.

Audiences sitting in theaters could also don Magic Leap headsets, allowing organic and synthetic production elements to merge. In “A Midsummer Night’s Dream,” Lanning says, a fairy could come out from the stage and fly in front of you. (He also warns, though, that “we don’t want to oversaturate the experience”).

And Lanning wants to create photorealistic volumetrically captured actors that the audience can also interact with.

Sarah Ellis, the Royal Shakespeare Company’s director of digital development, said their goal was to expand the toolkit for artists. “All we’re doing is going ahead and creating more choice,” she said.

Magic Leap

Tools like Magic Leap point to a bigger question. As Lanning puts it: “What is the natural, native form of storytelling that’s going to emerge?” Early experiments in any new media technology are going to start by replicating old narrative forms — like remaking the same musical, but smaller and holographic. More interesting is how technology can create an altogether new grammar of theater.

That shift likely won’t be made solely by mixed reality. The future of theater doesn’t hinge on one technology but the confluence of them. Lanning cites the UK’s Secret Cinema as an organization that creates immersive theatrical experiences that start online, where you’re assigned a character to play for the evening, before you’re even physically present at the show.

The value of “The Grinning Man,” then, is not just how an entire production has been photocopied for Magic Leap today, but what could be done with that motion capture footage in the future. “We’ve bottled that performance,” Lanning says, and it could be used in anything from a video-game to a VR experience when the right idea comes around.

Images: Magic Leap

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We got the free and open internet we deserve

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Berners-Lee began developing the Web while working at the European Organization for Nuclear Research (aka CERN) in 1989 as a means of sharing data among the organization’s myriad PC brands and operating systems. “It was designed to be universal,” Berners-Lee told NPR in 2017. The whole point was breaking apart silos.” Berners-Lee even envisioned the internet serving as a means to break down national and cultural barriers, at least once he’d gotten all the computers talking to each other.

“I’ve always believed the web is for everyone,” he wrote last year. “The changes we’ve managed to bring have created a better and more connected world.”

But despite the benefits that the World Wide Web has wrought over the past three decades, it hasn’t shaken out quite the way Berners-Lee was expecting. He’s certainly not comfortable with the growing trend of market consolidation that we’re seeing. “What was once a rich selection of blogs and websites has been compressed under the powerful weight of a few dominant platforms,” he argued. “This concentration of power creates a new set of gatekeepers, allowing a handful of platforms to control which ideas and opinions are seen and shared.”

And where has that gotten us? We were promised vibrant digital town squares where netizens would be free to propose and debate new ideas. What we got were the troll armies of Twitter. We were promised instant access to the whole of humanity’s knowledge. What we got was fake news in our Facebook feeds. We were promised more adorable cat videos than any one person has the right to see in their lifetime. Well, ok, we did get that. But we also got PewDiePie and Logan Paul. And that just doesn’t seem worth it.

When the likes of Google, Amazon and Facebook entrench their market positions by poaching top talent, acquiring competing startups and leveraging user data, Berners-Lee argues, they’re doing so at the expense of future innovation. Additionally, the lack of viable, competing options allows bad actors to weaponize these online platforms for their own nefarious ends — everything from fake social media posts stoking socio-economic tensions to unchecked conspiracy theories.

Russia’s interference in the 2016 presidential election and Facebook’s Cambridge Analytica fiasco were especially troubling for him. “I was devastated,” Berners-Lee told Vanity Fair last July. “Actually, physically— my mind and body were in a different state.”

“We demonstrated that the Web had failed instead of served humanity, as it was supposed to have done, and failed in many places,” he continued.

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Berners-Lee has since recovered from his shock. In his 2018 Founder’s Address to the World Wide Web Foundation, he reiterated his commitment “to making sure the web is a free, open, creative space — for everyone.” That means focusing on a trio of challenges: getting the other half of the world’s population online, increasing regulation of internet gatekeepers, and ensuring that everybody has an equitable voice in the internet’s evolution moving forward.

As part of those efforts, Berners-Lee has called for increased access to public WiFi and community networks for the poor and a “legal or regulatory framework that accounts for social objectives” to better manage expansive internet corporations.

“I want to challenge us all to have greater ambitions for the web,” he implored. “I want the web to reflect our hopes and fulfill our dreams, rather than magnify our fears and deepen our division.”

But he isn’t stopping at impassioned pleas. In September of last year, Berners-Lee announced he would be taking a sabbatical from MIT to launch a new online platform, dubbed Solid, which could drastically reorient the current power structure of the internet and return control of user data back to the users themselves.

This isn’t Berners-Lee’s first attempt to expand the boundaries of the web, mind you. In 2001, he and a pair of other researchers proposed a “semantic web” — an internet architecture that would not only hold every kind of data, as opposed to just documents, but was both machine and human readable. The semantic web would act as a sort of Rosetta Stone for machines, enabling AI to view the web in the same way a person would and allowing different pieces of software to exchange data without needing APIs. This would, in turn, allow legions of software-based “agents” to automate much of the stuff humans do online. Think Siri, but actually useful.

“Solid changes the current model where users have to hand over personal data to digital giants in exchange for perceived value,” he explained. “As we’ve all discovered, this hasn’t been in our best interests.” Rather than have all of your online data concentrated in the hands of a few massive firms, Solid would effectively decentralize the way data is shared over the internet.

“It gives every user a choice about where data is stored, which specific people and groups can access select elements, and which apps you use,” he continued. “It allows you, your family and colleagues, to link and share data with anyone. It allows people to look at the same data with different apps at the same time.”

To help drive adoption of Solid, Berners-Lee also announced the launch of Inrupt, his first commercial venture leveraging the new platform. As he explained to Fast Co, Solid would function like “a mashup of Google Drive, Microsoft Outlook, Slack, Spotify, and WhatsApp.” But since any data generated on or imported to Solid would be stored in the user’s secure personal online data (POD) locker, rather than being shunted across the internet, people would be able to entrust their most sensitive information (such as medical or financial records) to their apps, knowing that the data won’t be misused.

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Should Berners-Lee win over the hearts and minds of developers, his vision of a consumer-centric data protection scheme could serve to complement Senator Elizabeth Warren’s proposal to break up the gatekeepers. Her plan to reverse recent mergers and designate companies as “platform utilities,” preventing them from owning both the platform and agents on that platform (i.e., Amazon selling merchandise on Amazon), could provide a much-needed infusion of competition and innovation to the industry. It could even provide sufficient time for Berners-Lee to get Solid off the ground.

Berners-Lee spent the last few months of 2018 touring the country, giving demonstrations and tutorials for developing with Solid. This leads to his next challenge: convincing the world that effectively turning the internet on its head is a good idea. You can be sure that the current power brokers like Amazon, Facebook and Google won’t sit idly by as their market share is threatened. Nevertheless, Berners-Lee continues to persist because, as he said in 2009, “the web as I envisaged it we have not seen yet.”

Images: MANDEL NGAN/AFP/Getty Images (Tim Berners-Lee); Gary Miller via Getty Images (Elizabeth Warren)

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