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Laid-off chefs are using Instagram for income during the pandemic

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He is not the only chef who has turned to technology as a side hustle during the coronavirus pandemic. Adahlia Cole (also known as “hungry hungry hooker” online), who used to give custom food tours of the city, has compiled a list of former restaurant workers in the San Francisco Bay Area who have pivoted to Instagram to generate income. The range of cuisine listed has everything from Italian pasta to apple pie. Several of these enterprising Instagram chefs aren’t just amateur cooks; some have culinary school credentials while others have worked in critically acclaimed restaurants. Sometimes both. 

The selling-food-through-Instagram method varies, but in general, this is how it works: A chef posts what they’re offering and then interested customers can call, text or DM them to place orders. Sometimes there’s a link in their bio where people can order through an e-commerce site like Shopify. If the order is made via text or DM, the chef sometimes asks for payment through Venmo or a similar service. If the chef has offered delivery as an option, the customer would obviously provide an address. Then, on an agreed on day and time, an order of hot, tasty, homemade food arrives at the customer’s front door. Since the order hasn’t gone through a delivery service like Grubhub or Doordash, all of that money goes directly to the chef who actually made the food. 

The legality of the practice is somewhat questionable — state laws generally allow selling food made out of a home, but permits and licenses are often still required depending on your region. Enforcement can also vary. But the idea is not a new one, and the concept of the so-called “InstaChef” has been around for quite some time. (A Thrillist video series with the same name debuted in 2018.) Michael Lawless, also known online as “El Chefe,” began his LA-based business in 2013 when he started promoting and selling his style of cajun fried chicken on Instagram, and he now has over 45,000 followers. Trap Kitchen, a South London-based operation run by Prince Cofie Owusu (also known as Shakka), started in 2016 out of his mother’s apartment. He now has over 123,000 followers and offers boxed meals that contain everything from lobster tails to Belgian waffles. 

Aside from just offering chefs an additional source of income, social media sites like Instagram have also helped food workers build a community with each other. Instead of competing with one another, chefs often amplify other chefs, creating a word-of-mouth campaign that has proven far more successful than traditional advertising. 

I was first introduced to the “InstaChef” world when I saw an Instagram story posted by Tracy Goh, a San Francisco-based food entrepreneur who specializes in Malaysian fare like chili crab and laksa, usually a spicy coconut-based noodle soup. (I’m a fan of her Malaysian-centric pop-up dinners and backed her recent Kickstarter campaign to launch a brick-and-mortar restaurant focusing on Malaysian laksa.) 

It was the early days of the San Francisco shelter-in-place order, and she was promoting the Instagram account for a recently laid-off Singaporean chef (she goes by the alias of “Spice Dom”) who was offering up Singaporean-Malaysian classics (the two cuisines are often interchangeable) like chicken rice and assam laksa, a spicy and sour noodle soup. As diverse as the culinary scene is in San Francisco, there just aren’t that many restaurants that focus on the foods of Singapore or Malaysia, my homeland. Keen on tasting the cuisine of my childhood, I leapt at the opportunity and slid into Spice Dom’s DMs. 

Within hours, she responded with the week’s menu. I made my order and Venmoed her the cash along with my home address. Was it risky to give a stranger my address? Probably, but Goh’s recommendation made me trust her, plus Spice Dom had pretty decent culinary credentials to boot. (Her resume includes being an executive sous chef at a critically acclaimed restaurant.) A few days and several back-and-forth chats later, a container of assam laksa arrived at my front door. It was spicy, briny, full of umami and absolutely hit the spot.

Spice Dom didn’t always sell Singaporean fare through her Instagram account. Instead, she started out with slightly more mainstream Asian fare like ramen or chicken teriyaki. But it wasn’t until she started offering Singaporean-Malaysian foods that her orders skyrocketed. That’s partly due to fellow chefs like Goh amplifying her message, but also due to a seemingly untapped market of Singaporean-Malaysian food devotees in the San Francisco Bay Area. “I was completely shocked that there were so many people who liked it,” she said. 

The business expanded further when she roped in fellow Singaporean and former coworker “Nonya Queen” as a pastry chef to offer Singaporean desserts like kuih lapis and mango sago. 

Then, as luck would have it, another Singaporean-based Instagram operation popped up by the name of Makan Place. (“Makan” translates to “eat” in Malay.) It was also helmed by two other San Francisco-based Singaporeans, both of whom were also former restaurant workers. After Makan Place was featured in outlets like Eater and the San Francisco Chronicle, Spice Dom and Nonya Queen were getting confused with them, so they decided to brand themselves under a new Instagram account called Dabao Singapore. (“Da bao” roughly translates to “take out” in Cantonese.) 

“The [Dabao] menu is more streamlined, while any additional desserts have to go through Erika,” Spice Dom said. “We’ve also increased the frequency of our menu drops to three times a week as opposed to one or two.”

As for the rising competition, Spice Dom isn’t mad that Makan Place exists. Instead, she’s happy to promote them, along with other Instagram accounts that are also offering Singaporean-Malaysian food during the pandemic, such as Nora Haron in Oakland and Satay by the Bay in San Francisco. That also extends to Goh, who recently started offering a Malaysian snack platter through her online store. When perusing their Instagram accounts, I often found that they were promoting and tagging each other as well. “We’re supporting our own people,” she said. 

Goh, who had her own laksa business in San Francisco prior to the pandemic, published a photo on Instagram a few weeks ago of a bowl of laksa that she ordered from Dabao, ostensibly a rival shop. But, as she wrote in her post, she wasn’t worried about the competition. The reason Goh started her venture in the first place was because she couldn’t find any representation of her cuisine in the city. “For years, I had felt quite alone on this quest with only one voice,” she wrote. “For me, the dream is to make laksa one of the Asian noodle soups an average San Franciscan thinks about when they’re hungry, hungover, on a chilly foggy day like this … I welcome and root for other players in this field.”

Through Instagram, chefs of all different cuisines have not only figured out a way to survive the pandemic, but thrive in it. Dabao’s business is now so popular that Spice Dom says she’ll soon be able to hire staff — great news for former coworkers who have remained unemployed. They’re also in the process of securing a commercial kitchen space, which will offer a lot more prep space than just their homes. 

Aguilera is in the same position. He said that thanks to his successful arepa business, once the coronavirus pandemic is over, he no longer plans to go back to working in someone else’s kitchen. Instead, he hopes to open up his own restaurant. “I really hope to find a location and open a small place so everyone can come and [get] take out.”



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Hublot’s next smartwatch is the $5,200 Big Bang e

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Thanks to Wear OS, of course, users will get access to Google Play, Google Assistant and Google Pay, plus swipe controls for notifications and messages. The Big Bang e packs a Snapdragon Wear 3100 processor, 1GB of RAM and 8GB of storage. Oddly, it does not have GPS or NFC, 9to5Google points out, and it only has a 300 mAh battery expected to last for one day of use.

Hubolt has not yet announced a release date. The watch will be sold both in stores and online, a first for the Hublot brand, and it will be available in China, Europe, the UK and the US.

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AI breathes new life into a classic ‘80s synth

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Musicians in the 1980s had a love-hate relationship with Yamaha’s DX7 synthesizer. Its digital sound engine was unlike the analog synths that came before it, and created a unique timbre, but the thing was a beast to program. (Modern FM synths are substantially more manageable.) This led most users to simply stick with the presets. A new AI tool could help DX7 fans move beyond those basic sounds, though. This DX7 Cartridge Does Not Exist uses machine learning to generate new patches based on a sample pool of hand-crafted ones, and creates a file that can be loaded either onto a genuine unit or the popular Dexed emulator.

While the programming does mean that the generated patches will be randomized to an extent, the fact that they have a sample set to be modeled after should help in providing sounds that are actually usable. The site claims that it’s highly unlikely that any two patches will sound exactly the same. Hopefully it will enable musicians to move beyond the admittedly iconic electric piano and huge bass sounds of the synth, while still retaining its quirky hallmarks. It’s been nearly 40 years since the DX7 became a studio staple, but this tool could bring new life to an aged synth.

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Indie history: How shareware helped build Epic Games

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Present

May 4th marked the 20th anniversary of GodGames’ acquisition by Take-Two. Wilson, Miller and Sweeney have all trod their own paths in the video game industry, and they’re all still active today. They started out in the undefined, pre-internet, post-shareware fog of the early 1990s, where they learned plenty about large-scale business and protecting artist integrity. They share a common foundation.

Wilson is now in charge of Devolver Digital, the company he founded in 2009 with Harry Miller, Rick Stults, Nigel Lowrie and Graeme Struthers.

“We learned that staying small was good, so all of that just also coincided with this new wave of these tiny teams that started appearing around the time we started Devolver,” Wilson said. “And the difference is, these teams did not aspire to build empires. They were not making small games so that they could make big ones later. They seemed to just inherently know that smaller meant, A, more money to go around without something that needed to be mainstream, and B, freedom.”

“We learned that staying small was good.”

Devolver offered — and still offers — easy-to-understand contracts, no IP ownership clauses, and royalty rates that start at 50 percent (just like Epic’s new deal). It feels like Wilson has found the sweet spot where his publishing ideals can thrive, and he’s aiming to keep Devolver sustainable, agile and independent. The studio found its footing with Serious Sam, a franchise created by Croteam, one of the studios GodGames published back in the day. Serious Sam HD: The First Encounter launched in 2009 under Devolver, followed by a sequel in 2010. Serious Sam 4 is due to hit PC and Google Stadia in August.

“Gathering’s way of doing business is what enabled Devolver to come into existence in the first place,” Wilson said. “Croteam owned the Serious Sam IP and could work with whomever they wanted, and were financially independent, because the original Serious Sam game was signed with Gathering. For the first two years of our existence, Serious Sam was all we had, and that series along with The Talos Principle, also from Croteam, continue to be a very significant chunk of our overall sales, and doing the Serious Sam indie series was what set us on our path of working with this new wave of tiny indies.”

Devolver’s big break came in 2012 with the release of a blood-soaked, top-down, neon-lit action title named Hotline Miami. The studio has since published nearly 100 titles, including mainstream hits like Gris, Hatoful Boyfriend, The Red Strings Club, Reigns, Ruiner, Metal Wolf Chaos XD, and of course, Hotline Miami 2.

“When the Hotline Miami guys found such success, they didn’t go hire 10 or 20 people,” Wilson said. “They’ve been slaving away on their next project, just the two of them, just like they did before.”

Hotline Miami

Dennaton Games

Miller’s 3D Realms ended up in a legal battle with Take-Two over the Duke Nukem franchise, and eventually the rights to the series were transferred to Gearbox Software. SDN Invest acquired 3D Realms in 2014, and today, Miller serves as an adviser to the studio.

“We’ve always done 50-50 deals at 3D Realms,” Miller said. “But Epic, of course, is way, way, way, way, way, way bigger. And for them to do this, it’s much more of a seismic wake-up call for the industry.”

Under Epic, Sweeney launched the Unreal series, Unreal Engine, a lineup of Unreal Tournament games and the Gears of War franchise. Tencent, the Chinese technology giant, acquired 40 percent of Epic Games in 2012 as the company eyed an expansion into living, online games. The company remained private and under Sweeney’s control. 

Just before the acquisition, Epic revealed Fortnite, a cooperative survival shooter with base-building, hordes of zombies and cartoonish graphics. The game launched in 2017 and flopped — until Epic released a new mode, Fortnite Battle Royale, and the gaming landscape was forever changed. Today, Epic’s value hovers around $15 billion. 

Beef Boss outfit in Fortnite

Epic Games

This puts Epic in the same arena as giants like Activision, EA, Take-Two, Valve, Sony and Microsoft. All of these companies act as publishers, and most of them have toyed around with indie-publishing schemes. Microsoft has ID@Xbox, EA has its Originals line, and in the early days of the PlayStation 4, Sony was the undisputed king of securing high-profile indies. That’s since changed as the market has evolved and companies with a sole focus on indie publishing have stepped up, including Devolver, Annapurna Interactive and Raw Fury.

Exclusivity deals drive the top tiers of the industry, with companies like Microsoft, Sony and now even Google vying for players’ attention. Snagging exclusive rights to a hot new game is the best way to ensure players will show up in a specific company’s ecosystem, and the easiest way to score an exclusive game is to simply buy the studio that’s making it. This means acquisitions are the norm for the largest businesses. Xbox Game Studios, for instance, has 15 organizations under its umbrella, including Double Fine, Playground Games, Obsidian Entertainment, Ninja Theory and Mojang, the home of Minecraft.

Epic is playing this game, too, and its main competitor is Valve, another multibillion-dollar powerhouse. The Epic Games Store launched in 2018, offering the first real competitor to Valve’s Steam in a decade. It secured a handful of exclusive and timed-exclusive titles right away, keeping those games off of Steam. 

Epic is playing this game, too.

Meanwhile, in mid-2018, Valve acquired Firewatch studio Campo Santo and In the Valley of Gods, its high-profile in-progress game. Work on that title has been effectively shut down as the Campo Santo team works on other Valve projects, like Half-Life: Alyx.

As a rule, the Epic Games Store takes 12 percent of a game’s sales revenue, significantly less than Steam’s 30 percent standard. Sweeney has been vocal about pushing Steam to offer better deals to developers, though Valve hasn’t budged. Valve founder Gabe Newell has kept himself out of the conversation entirely. 

“I used to have a higher opinion of Gabe,” Miller said. “But the fact that he’s not adjusting the rates in favor of developers is disappointing because he’s got a developer background too. And Valve is a development company. Why isn’t he more pro-developer in the position he’s at and at least cut it down to 20 percent?”

Epic Games Publishing offers 50-50 profit sharing, no IP transfers and full funding for projects. Three studios have signed on so far: Remedy Entertainment (Control, Alan Wake), Playdead (Inside, Limbo) and genDESIGN (The Last Guardian). This developer-focused, acquisition-averse system may make sense to people like Sweeney, Wilson and Miller, but it’s still a strange move for such a huge video game organization. 

There are hundreds of other characters in this story. The contemporary publishing scene formed over decades of deals, successes and disappointments, and at the highest levels, it has led to a predictable cycle of mass lay-offs and soul-crushing crunch. If the people at the top of the industry are at all interested in fostering innovation, health and sustainability — and, yes, profit — an artist-first publishing approach makes more sense.

“I don’t know what AAA studios are paying indies these days, but the answer is usually as little as possible,” Wilson said. “That’s why you see all these big companies with these big franchises and the same cycle of layoffs and all of that, because they’re just doing the math. It’s not really about the people at that point.”

Forget artist-first. People-first is a fine starting point.



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Long-lost ‘Days of Thunder’ NES game recreated from 30-year-old floppies

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Unreleased video games tend to show up in ready-to-play forms, but a recent discovery required decidedly more effort. The Video Game History Foundation has reconstructed a lost NES adaptation of the Tom Cruise stock car movie Days of Thunder (one of the blockbuster hits of 1990) using 30-year-old source code floppy disks from the title’s developer, the late Chris Oberth. As Ars Technica notes, this project required more than a little recovery work.

VGHF archivist Rich Whitehouse found one floppy for a “Hot Rod Taxi” project that, when its code was compiled, appeared to just be a proof-of-concept. The real treasure trove was a 21-floppy hard drive backup, but that required running an ancient DOS recovery program that wouldn’t run properly in an emulator — it took a volunteer running a PC from the era to restore “every bit of data” from the backup. Even then, it required a bit of sleuthing to determine how to compile the code, including hunting down a seemingly missing binary file that was key to putting things together.

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Lenovo brings Linux to its P-series ThinkPads and ThinkStations

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In the past, Lenovo has flirted with Linux, but now the company is making the operating system a much bigger part of its product lineup. Starting this month and moving into the summer, it will begin certifying its P-series ThinkPad and ThinkStation workstation computers for the operating system. Specifically, you (or more likely the company you work for) will be able to configure those devices with the enterprise versions of Red Hat and Ubuntu.  

As part of the process, Lenovo will provide full web support for those computers, as well as offer configuration advice and host a dedicated Linux forum where customers can troubleshooting help. To be clear, Lenovo isn’t making Linux an option throughout its entire lineup — so you won’t be able to configure your next ThinkPad X1 Carbon with the operating system, for example. 

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Engadget The Morning After | Engadget

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For what is probably the lightest news you’ll read today, Amazon’s new feature for Alexa turns any connected devices into walkie-talkies. While they could already easily send messages from one device to another, now you can ask Alexa to “Drop In Everywhere” and get a live line to all the devices in your house, useful for finding out who wants what on their pizza or getting someone to check for a package at the front door. Just… don’t activate it by accident?

— Richard

Researchers say Oura rings can predict COVID-19 symptoms three days early

With over 90 percent accuracy.

Oura Ring

Engadget

Researchers have combined biometrics from Oura rings with AI prediction models to detect COVID-19 symptoms up to three days early with, they claim, over 90 percent accuracy. It sounds pretty incredible, but the science isn’t just about wearing a bit of tech on your finger. The project asks participants to track stress, anxiety, memory and other psychological and cognitive biometrics in an app. The Oura ring collects physiological data, like body temperature, heart-rate variability, resting heart rate, respiratory rate and sleep patterns. It combines all of this with prediction models to suggest those that may have the virus, with high levels of accuracy.

The platform is currently being tested by more than 600 healthcare professionals and first responders, and the Rockefeller Neuroscience Institute is working with partners like Thomas Jefferson University and Vanderbilt University to scale the test to include more than 10,000 participants.
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Introducing Engadget’s Dads and Grads Gift Guide

All the gear to make their lives easier (and maybe more fun).

Gift Guide

Engadget

We know that celebrations are hard right now — hard to pull off and sometimes hard to enjoy — but we don’t want to forget about our amazing fathers and our equally awesome new graduates. We want to help you do that with our eight guides full of useful and fun gifts for dads and grads. 

Our product recommendations run from practical to playful: tools to help new graduates start their “adult” lives, gadgets that can turn dads’ backyards into grilling havens and lots more. Also because we know money is tight across the board, we included gift ideas under $50 for both dads and grads, so you can celebrate your loved ones while sticking to your budget.
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Facebook staff plan ‘virtual walkout’ over response to Trump posts

Employees are angry at Zuckerberg’s decision.

Facebook employees are so upset with Mark Zuckerberg’s decision to take no action on Donald Trump’s posts on the social network that they are participating in a “virtual walkout” in a show of protest against the company. 

Facebook workers, most of whom are still working from home, are taking the day off and leaving messages that they are “out of the office in a show of protest,” according to a report from The New York Times.

It comes after Zuckerberg announced Friday evening that Trump’s posts, which Twitter said broke its rules regarding “glorification of violence,” didn’t violate Facebook’s standards. Axios later reported that Zuckerberg had spoken to Trump on the phone before announcing the decision. Zuckerberg announced Sunday night that Facebook would make a $10 million donation to “groups working on racial justice.”
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Google is sending Android 11 updates to some Pixel 4 owners early

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They’ll now also be able to access controls for connected devices by holding the Power button, provided they switch on the option in Settings.

If they choose to, they can also enable bubble notifications under a new menu, which allows conversation alerts to show up as floating icons on top of other apps.

Unfortunately, the rollout seems to be unplanned, so those who haven’t gotten it will probably have to wait until the beta’s official release. Google doesn’t have a new date for its rollout yet, though: when the tech giant canceled its June 3rd launch event, it only said that it will be back with more details on Android 11 “soon.”



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Music Industry plans blackout day in support of George Floyd protests

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Apple Music is also participating, saying it cancelled its regular Beats 1 radio schedule and steering users toward a streaming station that celebrates the best in Black Music. It will also host a playlist designed to unite users, with regular intermissions explaining the protests and movement. Deezer and Tidal Music also tweeted support.

Meanwhile, event organizer Live Nation will close its offices today, while ViacomCBS channnels MTV, VH1 and Comedy Central will “go dark,” the company said. Def Jam Recordings, Interscope, Sony Music and others will also participate. Artists expressing support include Lady Gaga, the Rolling Stones, Quincy Jones and Billie Eilish.

However, some have criticized the day, saying it’s unfocused and doesn’t address the protests and Black Lives Matter movement directly. Don Giovanni Records owner Joe Steinhard told Rolling Stone that the movement is “misguided” and that labels should be supporting existing initiatives like Black Lives Matter. Others noted that the industry is sacrificing little for the blackout day, while Tony! Toni! Toné’s Raphael Saadiq said record labels should pay artists more.

It’s also unclear what level of action the labels are taking. While Columbia records said that today is “not a day off” but rather a way to reflect, Warner Music CEO Steve Cooper wrote that “everyone can take a day out from their jobs.” Some labels, including Capitol records, promised to make donations to black rights organizations, but haven’t provided specific calls to action for employees.

On their website, however, Thomas and Agyemang did address the industry’s inequality. “[It is] an industry that has “profited predominantly from black art,” the site states. “It is the obligation of these entities to protect and empower the black communities… in ways that are measurable and transparent. This is not just a 24 hour initiative. We are and will be in this fight for the long haul. A plan of action will be announced.”



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Roku’s live guide will help you navigate its free movie and TV channel

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Good news, couch potatoes: Roku is now giving you a better way to sort through its wealth of free movies and TV shows. The new “Live TV Channel Guide” is exactly that: a traditional grid interface for seeing what’s airing on the Roku Channel, the company’s popular free content fountain. Additionally, Roku is also adding new streams to the Channel, including Reuters and Spanish-language content from Latido. None of this is exactly groundbreaking, but it’s a clear sign that Roku’s leap into free content is paying off. Having a guide is simpler than navigating through the more icon-heavy Channel interface, and it’s also easier for new cord cutters to grasp.

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