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Deluge of Pixel 4 photos confirms a few of the phone’s key specs

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Curiously, the camera app will apparently default to capturing 16:9 photos to fill the screen, rather than 4:3 photos to make the most of the sensor.

Other specs in the photos show expected but welcome performance upgrades. The speedy 90Hz OLED screen remains the highlight, but you’ll also get a Snapdragon 855 processor with 6GB of RAM, a 3,700mAh battery (on the XL) and 128GB of UFS storage on at least one model. It won’t beat ASUS’ ROG Phone II in terms of raw power, then. Google instead seems focused on its touch-free gestures and its usual AI wizardry to reel you in.

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Microsoft’s Surface Laptop 3 may come in a 15-inch model

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There may be more shakeups at the media gathering. The Verge expects an AMD-powered Surface Laptop 3 (the first AMD-based Surface of any kind) at the event, although it’s not certain if the new chip option would be available in the 15-inch system, the 13.5-inch variant or both.

The October 2nd presentation could have a wide variety of devices on tap, including an updated Surface Pro, a Qualcomm Snapdragon-based system and a teaser for a dual-screen Surface. It wouldn’t represent a radical departure for Microsoft (outside of the teaser), but it would diversify a lineup that’s still quite small.

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Mercedes’ latest high-tech concept car is a throwback to 1901

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The grille has been replaced by a “3D display” that both displays the vintage Mercedes logo an, more importantly, displays the car’s status at a glance. The cockpit, meanwhile, sticks to the minimalist look of very early cars through projections that display context-sensitive info like speed and navigation. You could focus your attention on driving your retro ride instead of processing a sea of information. Porsche, take note.

You’re unlikely to see a production version of the Simplex. It doesn’t even have a windshield or a rated power output, let alone the equipment needed to pass modern safety standards. This is more an illustration of how Mercedes could recall its roots without giving up present-day creature comforts. Don’t be surprised if you see the projections and other elements find their way into road-going cars, even if it’s in a limited form.

Vision Mercedes Simplex concept car interior

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Recommended Reading: The redesigned WWE Network

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WWE Network 2.0: How WWE rebuilt its streaming service after a split with Disney
Chris Welch,
The Verge

After a flashy reveal at CES a few years ago, the WWE Network is by all accounts a success, amassing well over a million subscribers by early 2019. Disney threw a wrench in the plans when it bought BAMTech, the company that had successfully constructed streaming services for the likes of Major League Baseball and HBO Now. It was also what WWE relied on for its 24/7 buffet of choke slams and live events. WWE saw the writing on the wall, and rebuilt its streaming library from the ground up.

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‘Dirty bomb’ fears spawned America’s nuclear spy force

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The Bastard Brigade: The True Story of the Renegade Scientists and Spies Who Sabotaged the Nazi Atomic Bomb
by Sam Kean


Book cover

World War II could have ended disastrously for the Allies had the Axis powers managed a breakthrough in fission technology before they did. With every nation subjugated by the Nazi war machine, the fascist invaders gained more resources, more production facilities and more technological prowess thanks to their conscription of Europe’s leading nuclear researchers.

But their efforts did not go unopposed. From saboteur scientists working for the Resistance to a ramshackle array of US and Allied military officers, an ex-MLB catcher-turned-spy — heck, there are even a couple of Kennedy’s in there — Bastard Brigade tells the harrowing tale of our fight to keep The Bomb out of Hitler’s hands.

In the excerpt below, author Sam Kean revisits the desperate days of late 1943. The Nazi propaganda was relentless, researchers with the Manhattan Project were in a state of panic, convinced that Hitler has a nuclear-tipped V-3 ready with America’s name on it. Paranoia grew so intense that the US military deployed a crack unit of nuclear inspectors with orders to scour Europe for evidence of a Nazi atomic bomb.

After fleeing Denmark, Niels Bohr sailed to the United States to advise on the Manhattan Project, and he proved just as much of a security nightmare in America as he had in Europe. He first visited New York, a dangerous city for an oblivious jaywalker like him; more than once he almost got creamed crossing the street. Then, on a cross-country train ride to New Mexico, he kept blowing his cover by forgetting his code name (Nicholas Baker), and an armed guard had to sleep outside his room at night to keep him from wandering off. Worst of all, he blabbed about fission research to anyone who’d listen. Things got so bad that General Leslie Groves had to drop everything he was doing to join Bohr for the last leg of the trip, which he spent lecturing the physicist — “for twelve straight hours,” Groves recalled — about the need for discretion. Bohr instantly saw the wisdom in this and promised not to say another unauthorized word to anyone. He even succeeded in keeping his vow for a good five minutes after arriving in Los Alamos. But as soon as Bohr saw his old colleagues, at a reception in his honor, he started babbling again — spilling every secret Groves had just warned him to keep mum about. The man was simply incapable of keeping his trap shut.

Although the Great Dane proved a valuable mentor at Los Alamos — at fifty-nine, he was the eldest scientist at the lab, thirty years older than the average — the immediate result of his trip was to heighten the paranoia about the Nazi atomic bomb, especially for Groves. Groves was not a hysterical man by nature, but as one of his staff noted, “He worried the hell out of the German bomb project during the war.” Bohr’s account of his conversation with Heisenberg in 1941 only deepened the general’s unease. He also rehashed the Heisenberg Sturm und Drang for Oppenheimer and other top officials at Los Alamos; this included pulling out the sketch Heisenberg had made, which caused quite a stir. To be sure, everyone concluded that it looked more like a nuclear reactor than a bomb, but the sketch was two years old at that point; Germany had no doubt made great progress since. And if nothing else, you could use reactors to breed plutonium.

Or worse. In addition to plutonium, running a reactor created all sorts of nasty by-products that were ideal for so-called dirty bombs. Although dirty bombs also require radioactive material, they differ from fission bombs in important ways. Fission bombs kill by releasing gobs of energy all at once; they vaporize you. Dirty bombs kill by releasing deadly isotopes that wriggle inside your body; they poison you. And while fission bombs require a nuclear explosion, dirty bombs don’t. You simply have to spread the dirty radioactive material around, which you can do with regular explosives; you can even mix the material with smoke or powder and use crop dusters to spray it on troops or cities.

As of 1943 there was no hard evidence that Germany was making dirty bombs, but the very idea of them contaminated the minds of Manhattan Project scientists, filling them with lurid visions. In the summer of 1943, project officials installed secret nuclear-defense systems in Boston, Chicago, New York, San Francisco, and Washington, with Geiger counters wired to air-raid sirens in case of attack with radioactive species. There was talk of preemptive strikes as well.

Enrico Fermi pulled Robert Oppenheimer aside one day and suggested manufacturing deadly strontium-90 to poison food and water supplies in Germany. Oppenheimer met this horrifying suggestion with enthusiasm, and abandoned it only after determining that they probably couldn’t kill enough people to make it worthwhile. He wanted at least half a million dead Germans, or why bother?

The paranoia reached its peak, or nadir, in late 1943. Based on projections about the rate of German research, several scientists convinced themselves that the Nazis probably had enough radioactive material by then to make several dirty bombs. Nazi propaganda minister Joseph Goebbels then ratcheted up the tension by declaring that Germany would soon unleash a revolutionary “uranium torpedo” on the Allies. The only question was when, and for various reasons American fears began to coalesce around dates in December. For one thing, security always slackened during the holiday season. For another, Hitler clearly loved stagecraft and grand gestures — witness the Berlin Olympics and his stormtroopers goose-stepping through Paris. He would certainly plan the attack to maximize its emotional impact. And what day could be more devastating than Christmas or New Year’s Eve? Their imaginations now at full gallop, a few American nuclear scientists actually sent their families to hideouts in the countryside in late December to protect them. They then endured a grim holiday week alone by the phone, their stomachs churning with acid, awaiting news of the atomic apocalypse.

Nothing like that happened, obviously, but the hysteria once again highlighted the fact that Manhattan Project leaders had no idea what German scientists were really up to. At the time, the United States
had pathetic intelligence capabilities, and there were no espionage units with scientific expertise, which meant they were probably overlooking vital clues. (The vast majority of people, for example, still considered uranium a useless metal.) And the problem would only get worse over the next year. By late 1943 the Allies had gained footholds in Italy and were planning to attack occupied France in 1944. Every newly conquered city meant new chances to gain precious atomic intelligence — or alternatively, to let it slip away.

To fix this problem, one of Groves’s deputies came up with a plan. Rather than rely on third-hand rumors from abroad, he decided the Manhattan Project should build its own intelligence unit to scour Europe. It would consist of both scientists and soldiers, and they would spend their days infiltrating labs, deciphering secret documents, and interrogating captured scientists. This was something new in the history of warfare: no one had ever turned scientists loose like this on an espionage spree. The team would report directly to Groves and would operate in strict secrecy, allowing no one in the field to know what they were searching for. The closer they could get to the front lines, the better.

The program became known as the Alsos mission, a name based on a multilingual pun: α ́ λσος means “grove” in Greek. But when the object of the pun, Groves himself, discovered this Easter egg, he was furious. He didn’t find it cute, and furthermore considered it a security hazard, since anyone who knew his role on the Manhattan Project could then infer what this scientific outfit was doing in Europe.

(There’s evidence, in fact, that a few British agents did deduce the purpose of Alsos based solely on the name.) No one in Groves’s office ever confessed to this etymological crime, and by the time Groves found out about it, the name had already started circulating within the Pentagon. Changing it would only draw more attention, so he grudgingly let it stand.

Groves eventually widened the scope of Alsos beyond nuclear science, figuring that as long as people were ransacking German labs, they might as well learn all they could about radar, rockets, jet engines, and biological weapons, too. But in large part, these other topics served as a beard, a way to obscure the mission’s real goal: hunting down secrets about the Nazi nuclear bomb. Alsos also had the authority to seize atomic matériel like uranium and heavy water, and even scientists themselves. As the mission evolved, in fact, manhunts became its top priority. All the uranium on earth wouldn’t do much good without a Hahn or a Heisenberg to sculpt it into weapons. Given their hostility to Groves, the British hated Alsos. The existing intelligence apparatus worked just fine, they insisted; there was no need to deploy a bunch of skittish scientists to the front, especially when they ran a high risk of being captured and interrogated, no doubt “in the Russian manner.” Groves cared not a whit for what the British thought, but he shared their concern on this last point. Therefore none of the scientists who worked on the Manhattan Project were eligible for Alsos — they simply knew too many secrets.

Ruling out everyone on the Manhattan Project, however, left very few candidates for the role of chief scientific officer on Alsos. Ideally, Groves wanted a nuclear physicist with some experience studying neutrons and cyclotrons. He couldn’t be a theoretical egghead, though: the job would be as much detective work as anything. Given the dangers involved, he would have to be pretty eager to do something for the war effort, and knowledge of Europe and its languages would be a nice bonus. But where on earth would they find somebody like that?

Luckily, the selection of chief military officer went more smoothly. Groves already had a candidate in mind, in fact, a former science teacher with experience in irregular warfare — someone just as obsessed as he was with security and someone who needed to get transferred out of his current post before he enraged every general in the army. Boris Theodore Pash.

Excerpted from the book THE BASTARD BRIGADE: THE TRUE STORY OF THE RENEGADE SCIENTISTS AND SPIES WHO SABOTAGED THE NAZI ATOMIC BOMB by Sam Kean. Copyright © 2019 by Sam Kean. Reprinted with permission of Little, Brown and Company. All rights reserved.

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Apple pulls the plug on the iPod classic

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It’s been just over five years since Apple killed off the iPod Classic (henceforth known as the iPod, because it is the One True iPod). Its death on September 9th, 2014 was no big surprise: Sales had been declining for years as the iPhone surpassed it in sales and feature set. Indeed, the notion of loading files from a computer onto a spinning hard drive to listen to music was totally anachronistic by 2014. Apple Music hadn’t arrived yet, but Spotify was quickly becoming the most important way to listen to music. Since we were all carrying smartphones, having another device for music just didn’t make sense anymore.

In retrospect, though, I sometimes miss the iPod. Over the last five years, smartphones have taken on a predictable form. Screens are bigger, networks are (marginally) faster, cameras are better, but all in all, we know what we’re getting with a handset. However, our relationship with smartphones is far more fraught than it was in 2014. We’re overloaded with notifications telling us about the horrible state of the world, networks like Twitter and Facebook are minefields of abuse, subscriptions and microtransactions suck more money out of wallets — and yet we can’t put our phones down.

Against the backdrop of smartphone addiction, the iPod suddenly seems appealing. Its tiny, 2.5-inch screen contained a UI meant to help you skim through thousands of songs quickly and easily; there was very little to distract you from your music. A device that felt so futuristic when it came out now feels positively retro. It’s full of buttons! You have to copy files from your computer to use it! There’s no internet connection!

Of course, those aren’t bugs but features to a small but substantial group of music lovers. You can find a whole variety of iPods for sale on eBay, not surprising considering how popular they were, but it’s still an impressive secondary market. There’s also a healthy mod community that’ll help interested hackers put a larger, more modern SSD drive and new battery into that old iPod case. If you’re the kind of person with a carefully-curated MP3 library built up over the last two decades, or someone who still buys CDs and rips them to a computer, you’re probably the kind of person who pines for an iPod.

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The Morning After: MoviePass shuts down

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The end of a wild ride.MoviePass is shutting down on September 14th

In a press release, the company said its “efforts to recapitalize MoviePass have not been successful to date.” All options are on the table, with MoviePass parent company Helios and Matheson Analytics saying it’s considering, among other things, selling itself off entirely.

While the company experienced early success on the back of its $9.95 per month subscription plan and peaked at around 3 million customers, it has been struggling ever since. Not only did MoviePass change its pricing multiple times, in 2018 it was forced to borrow money to avoid bankruptcy. Earlier this year, the company temporarily shut down its app to work on it.


Now with four to five more hours of battery life.Apple reveals the powerful new iPhone 11 Pro and Pro Max

The iPhone 11 Pro and Pro Max are powered by Apple’s new A13 Bionic processor, which is reportedly around 20 percent faster than last year’s A12 when it comes to CPU and GPU speeds. That’s the same CPU as the standard iPhone 11, so the big Pro benefits are a triple camera system and some glorious new Super Retina OLED screens with a 2,000,000:1 contrast ratio and up to 1,200 nits of brightness.

As for the triple cameras, they’re housed in a square camera hump for the Wide, Ultra-Wide and telephoto lenses. An upcoming feature called Deep Fusion will use all three at once and then stitch the results together for higher-quality photos. Also, these phones are Apple’s first to come with an 18W fast charger packed in.


Better battery life and dual cameras for the masses.iPhone 11: Still cheap and cheerful

The iPhone 11 will follow up last year’s XR model by including a new A13 Bionic chipset (that it shares with the more expensive Pro edition). Its new chipset is both more powerful and more efficient, which is enough to extend battery life by another hour over the XR. Apple also upgraded the rear camera with a 12-megapixel ultra-wide lens for dual-lens action and Night Mode.

You can get its aluminum frame in six shades, and an updated front TrueDepth camera can pull off tricks like slow-motion selfies. Still, the best news about this mid-range phone might be the price — it starts at $699.


Even more black.MIT scientists accidentally create the blackest material ever

MIT engineers have cooked up a material that’s 10 times blacker than anything else previously reported. Capturing more than 99.995 percent of any incoming light — VantaBlack tops out at 99.96 — the material is made of vertically aligned carbon nanotubes (CNTs) grown on chlorine-etched aluminium foil.


It’s like Lego, except each block costs around $10,000.Sony’s Crystal cinema display supports 16K, but could cost millions

Sony will sell these screens through specially trained and certified dealers in sizes up to 63 feet wide at 16K resolution, but unless you’re a one-percenter, you probably won’t be able to afford it. Sony will offer it any way you want, but some sample configurations include 1080p with 18 modules at 8 feet x 4 feet, 4K size at 16 feet wide (72 modules), 8K at 32 feet x 18 feet (288 modules) and 16K and 63 feet x 18 feet (576 modules).


Honda’s E isn’t like other electric cars.The uphill battle to build Honda’s first modern EV

For years, Honda has pursued tech like hydrogen instead of EVs. Now its futuristic Honda E is ready to debut, with a higher price and less range than some rivals. We interviewed company executives at the Frankfurt Motor Show to find out the thinking behind decisions made “to demonstrate Honda’s capability in looks, technology and driving ability.”


9/9/99The Dreamcast predicted everything about modern consoles

Twenty years after Sega’s innovative console debuted, Devindra Hardawar reminisces about all the ways it changed gaming, and the impact those changes had even into the present day. Also, we asked readers for memories of the Dreamcast era, and your responses were just as incredible. Grab your VMUs Sega fans, we’re going back to 1999.

But wait, there’s more…


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Amazon’s ‘Undone’ takes rotoscope animation to new heights

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Undone’s rotoscoped animation style, which was produced by the studio Minnow Mountain and involves drawing over live-action footage, helps it stand out from everything else on TV today. Every second of the show makes it clear how far we’ve come from Richard Linklater’s Waking Life and A Scanner Darkly, thanks to lush watercolor backgrounds and immersive three-dimensional environments. Undone is such a revelation I wouldn’t be surprised if it leads to a revival of rotoscoping, a technique pioneered by the early 20th century animator Max Fleischer.

“We think that the show plays the tension of reality,” Purdy said in an interview with Engadget. “The fact that it is both live action and animation simultaneously, allows you to come in and play with your imagination, but also to be stretched in terms of that kind of initial feeling of ‘What is this? What is this that I’m seeing?’… The fact that it is moving between mediums or is existing simultaneously between these mediums is playing thematically with what the show is exploring.”

Undone Amazon Prime Video

After binging the entire series over the past week, it’s hard to imagine Undone being presented any other way. Alma’s journey gets trippy quickly — she might jump from floating in space to reliving a childhood memory of a family trip to Mexico. At one point, she runs down a seemingly infinite hallway as she encounters her past self. At times, Undone resembles the works of the anime director Satoshi Kon, who used the limitless potential of animation to craft scenes that would be incredibly expensive (and at times logistically impossible) in live action.

Surprisingly, Bob-Waksberg, who also created Bojack Horseman, says he and Purdy didn’t write Undone with the intention of animating it. But upon reading the script for the first time, director Hisko Hulsing quickly realized that rotoscoped animation would be the ideal medium.

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Galaxy Tab S6 review: Good notepad, bad notebook

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Samsung also made the buttons a little deeper than before and added a function key so you can use it to trigger shortcuts that have been added to the top row. On the old keyboard, this row simply had numbers and symbols that you could trigger by pressing downshift. Now, you can also get Escape, Dex and Delete if you hold down Fn and press the `, and backspace buttons, respectively. As for the rest of the keys in that row, using Fn with them will give you F1 to F12 for things like opening a new tab or refreshing a webpage. I’d prefer if Samsung put controls for display brightness and volume here, but I suppose I have to be thankful for the little improvements here.

I have some lingering complaints. The buttons are still a little too small, especially the backspace key. I end up having to reach a lot farther than I’m used to and end up hitting instead. When I’m holding down the Shift key in an animated bout of all-caps typing, the space bar doesn’t work. I’ll end up with a stream of words tied to each other so it looks even more incoherent when I’m digitally screaming at the world. Also, the horizontal-arrow keys don’t always work — they’re useless in a URL bar, for example.

These may have more to do with the Tab S6’s software than the keyboard itself, which brings me to another one of my biggest annoyances with Samsung’s tablets: Dex.

Samsung Galaxy Tab S6 review

Dex mode still needs work

Oh, Dex. Where do I begin? On the Tab S6, Dex is a software interface that mimics a full desktop experience, allowing you to pull up all your apps in windows. You can resize these panels and overlay them on each other. It all sounds like a great idea, except my early experiences with Dex really burned me. There was a lot of inconsistency around whether the browser app was pulling a desktop version of a site and which apps had been optimized for the desktop environment.

Samsung has since refined the software, and it’s a very subtle improvement. Apps behave more like I expect them to on a desktop, although you’ll have to make a lot of tweaks for them to truly run like they should. For example, you’ll need to enable the “Force apps to resize” setting in Dex Labs before you can maximize every window you open. Some apps will also have to relaunch when you switch between Android and Dex modes, which takes a few seconds.

Also, Chrome still doesn’t automatically load the desktop version of websites, and for some reason, there are two screenshot shortcuts on the taskbar. Two! One is the native Android screenshot button, and the other is a special Samsung one. Even if one is much better than the other — like maybe it pastes rainbow unicorns all over your screenshots or something — why include both? Why not just have the better one in there?

I would also like to see some interface changes. When I use the Alt-Tab shortcut to switch between apps, for example, the highlight over the selected app is really faint, and I can’t really tell which app I’ve toggled to. A bolder color scheme would make this much easier to see at a glance. I’d also like the name of the app on each window’s title bar so I don’t have to guess. Also, sometimes clicking on a browser tab closes it, even when I tapped nowhere near the X button!

It’s all these little annoyances that make Dex still feel unreliable. Even though it’s more stable — in that it crashes less than before — I still want it to be better.

Performance and battery life

Aside from failing to provide a reliable desktop multitasking interface, though, the Tab S6 is a sturdy performer. Its Snapdragon 855 processor capably handled my workflow, which typically consists of Slack, Gmail, Chrome, Calendar, Docs, Twitter and a few other apps. It also held up when I pushed it further by sneaking in a session of Cooking Dash, which typically lags a bit on my Pixel 3.

I was also pleasantly surprised by the Tab S6’s battery life — it made it through a recent two-day journey from Germany to New York, including an eight-hour flight, with plenty of juice to spare. On our battery test, it lasted 15 hours and eight minutes, beating its predecessor by three hours. That’s also better than the iPad Air and the 12.9-inch iPad Pro, though just shy of the Surface Pro 6’s 15-1/2-hour result.

Wrap-up

With its kickstand, keyboard and wannabe desktop interface, the Tab S6 is Samsung’s latest attempt at mimicking Microsoft’s Surface tablets. Sure, Samsung could have just done that by making another Windows hybrid, but it feels like the company knew Android would be a better match for the S Pen’s newfound capabilities. And, once again, it is the comfortable, smooth stylus that sets the Tab series apart. Those who like taking notes by hand and want an attractive, lightweight, powerful device that lasts ages will appreciate the Tab S6. Android (not to mention Dex) may feel limited for anyone looking to get real work done, but if you don’t need to do much more than edit a few documents or slideshows on the go while staying in touch with your colleagues, the Tab S6 will do just fine.

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Sling TV now works in Apple’s Safari browser

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To be able to access the service on your browser, you’ll need to make sure you’re using Safari version 11.1 (released in 2018 and available for some of the latest versions of Mac OS) or later. That’s pretty much all you need, though — the advantage of watching in a browser, after all, is that you don’t need to download and run a separate app anymore.

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