MODOK was previously known as George Tarleton, a founding member of AIM. Kamala Khan, one of the game’s main characters, suspects that tech corporation is experimenting on Inhumans such as herself, and sets out to bring the truth to light.

During the single-player campaign, you’ll take on hero-specific missions as Kamala (aka Ms. Marvel) attempts to reunite the Avengers. The stream offered an in-depth look at gameplay, in a level centered around Thor. With the help of Mjolnir (and a friend or two), he battles an army of AIM mechs on a helicarrier.

Heroes have core abilities, and you’ll be able to unlock other skills and moves. Each has three special (or “heroic”) powers: assault, support and ultimate. Assault is pretty self-explanatory. Support allows to you buff your teammates. Ultimates, meanwhile, have the potential to impact fights massively — Thor’s, for instance, can bypass otherwise unbreakable shields and mete out huge damage.

There are plenty of other RPG mechanics in the game, which are a bit reminiscent of Destiny. You can also customize your heroes with gear that grants extra abilities or perks. You can change up their looks with different outfits, emotes and nameplates. You’ll rebuild and upgrade your own helicarrier as well, on which you can unlock new gear and missions.

The stream also provided some more details about multiplayer. War Zones are missions you can tackle with up to three other players or by yourself with AI companions, which are based on the heroes you’ve unlocked and leveled up. When you and a companion max out a large enemy’s stun meter, you can deliver a final blow with a team finisher.

Crystal Dynamics plans to add more heroes, locales and story later at no extra cost. After delays, Marvel’s Avengers is set to finally hit PC, Stadia, Xbox One and PS4 on September 4th. If you buy it on PS4 or Xbox One, you’ll get a free upgrade to the PS5 or Xbox Series X version.

The game also includes cross-gen compatibility, so if you’re playing on Xbox One, you’ll still be able to team up with a buddy who’s running it on XSX. Whether it’ll be strong enough to fend off early worries about how good it’ll actually be remains to be seen.

But that’s not all. Keighley, who is acting as Summer Game Fest curator, revealed a string of major publishers who are taking part, including 2K, Activision, Bandai Namco, Bethesda, Blizzard, Bungie, CD Projekt Red, Digital Extremes, Electronic Arts, Square Enix, Private Division, Riot Games, Steam and Warner Bros. Interactive Entertainment. And that’s just the first wave of confirmed participants.

There’ll be plenty of news and surprises on the cards, along with in-game events. Some, including Steam and Xbox, will offer playable demos and trials. The summer edition of the Steam Game Festival will take place June 9th-14th, while Keighley and iam8bit are putting together a developer showcase of upcoming games. Details about other publishers’ events and others who are taking part will arrive in the coming weeks. An initial schedule will be added to the Summer Game Fest website on Tuesday.

It’s time to play the future. pic.twitter.com/JZiPToqpjM

— Geoff Keighley (@geoffkeighley) May 1, 2020

Based on a true story, the film is an adaptation of Final Fantasy XIV: Dad of Light (a Netflix series in most regions). Like the show, the film uses a mix of live action and footage captured in Final Fantasy XIV, the massive multiplayer online game that debuted in 2013 and is still going strong (more than 16 million registered players and around 22,000 people playing via Steam alone at any given time).

Brave Father Online: Our Story of Final Fantasy XIV, to give the film its full title, centers on a family whose workaholic patriarch Akira (Kôtarô Yoshida) is often distant or absent to his children. But, on the brink of a big promotion, he suddenly retires and changes the family dynamic.

Leaving his job has a clear impact on Akira, who struggles with loneliness despite living with a family desperate to connect with him. His son, Akio (Kentaro Sakaguchi), remembers playing Final Fantasy with his father many years before, so he buys his dad a PS4 and a copy of Final Fantasy XIV and gets to work befriending his father’s avatar and rekindling that relationship.

Akio, whose in-game character is named Maidy, saves his dad from an enemy and shows him the ropes in the game. Akira aligns himself with his son’s group and the two start to rely on each other, having each other’s backs during battles and helping each other through their personal and professional woes.

Making a film based partly inside a game presents unique challenges most productions don’t have. The process was split in two, with the live-action filming and game capture taking place simultaneously, each with its own director. Kiyoshi Yamamoto, who handled the in-game aspects, used some intriguing framing and the sweeping scenery of Eorzea (Final Fantasy XIV‘s fictional world) to make his scenes as engaging and perhaps even more cinematic than the live-action material.

The now-famous in FFXIV circles, real-life Maidy and his dad helped with the Final Fantasy XIV scenes by controlling their original characters. And thanks to game developer Square Enix giving the cast and crew access to a private server, they could work in relative peace, away from their online fans.

As with most movies, there was a degree of trickery involved. Yamamoto gathered his main band of players (perhaps actors isn’t the right term here) in a conference room filled with PCs, so he could direct them more effectively than if they were playing at home. He also revealed in a Q&A session after a screening at the Fantasia International Film Festival that they sometimes activated an invulnerability setting during boss battles, hoping to make footage capture easier, but it didn’t always work. The characters still died when they were hit with one particularly devastating attack.

A few other technical issues hampered the process, too. If character models clipped each other, Yamamoto and his team had to go back to reshoot scenes if Square Enix didn’t sign off on the footage.

Many modern games are designed to keep players hooked for years, with more content added all the time. Recent updates to Final Fantasy XIV afforded Yamamoto more tools to play with since Netflix’s Dad of Light debuted in 2017 (filming on Brave Father Online took place early this year). Among those additions are new animations and emotes, which he puts to often hilarious use.

Harnessing animations from games to tell new stories isn’t exactly a novel concept — people have been using game footage and engines to create machinima videos for decades. Still, Yamamoto and co-director Teruo Noguchi seamlessly blend the live-action and game footage into a cohesive, compelling whole, perhaps best exemplified by a training montage that amped me up more than any I’ve seen in a long time.

The directors touch on gaming tropes in fun ways as well, such as grinding through levels to bolster a character. There’s an especially enjoyable sequence in which Akira gets to grips with some of the lingo, too.

Regardless of the filmmaking, viewers have to connect with a movie, and the emotional core here is undeniably relatable. Brave Father Online is all about forging connections, online and offline. It might very well resonate with a broad audience, even those who don’t have much gaming knowledge.

I’m sort of in that same boat. Though I’ve played games since I was a toddler, I never got into the Final Fantasy series. Nonetheless, I adored this movie. It tells a universal story that’ll fill your soul with joy and probably make you want to call your nearest and dearest as soon as possible.

Granted, it’s effectively a feature-length ad for a six-year-old MMO — and there’s some amusing meta subtext given Akio’s advertising career and a message you should only sell things you love. However, Brave Father Online doesn’t feel like product placement. It’s a portrait of a family using games to connect with each other, something that could inspire other families to do the same.

Images: Gaga Corporation/Square Enix (All)

This new Avengers title takes place in San Francisco as the team opens its West Coast HQ when the situation (as they’re wont to do in the Marvel Universe) goes sideways. You’ll be able to complete the campaign either solo or with the help of up to three co-op partners. The game features top-flight voice talent including Troy Baker (Joe from The Last of Us), who voices Tony Stark, while Nolan North (aka Nathan Drake) lends his verbal skills to Thor and Laura Bailey plays Black Widow.

Tomb Raider developer Crystal Dynamics and Deus Ex studio Eidos-Montreal have both signed onto the project. Best of all, the game will not include any sorts of loot boxes or pay-to-win scenarios. Plus, as Eidos-Montreal executives announced during the event, the studios plan to continue expanding the roster of playable heroes and have no intention of charging players for the additions.

Square Enix also announced that Avengers will be coming to Google’s new Stadia game streaming service — in addition to PS4, PC and Xbox One — upon its launch on May 15th, 2020.

Apparently, Square Enix doesn’t believe Octopath Traveler is mobile enough. The developer has unveiled plans to bring the well-received Switch RPG to Android and iOS devices, in the form of a prequel, Octopath Traveler: Champions of the Continent. It’ll preserve the signature mix of 3D environments with retro-style 2D characters, just with touchscreen-friendly controls. The team isn’t shedding much light on the plot, but you’ll play a ‘Chosen One’ who’ll fight a horrific evil that has “fortune, power and fame.”